Chance creation
Playmaking output: assists, key passes, and custom chance-creation signals.

Machine Sazi FC · Azadegan League · Defender · #3 · Iran · 31 yrs
Mehdi Rostami plays as a defender for Machine Sazi FC. Mehdi Rostami is a represents Iran, 31 years old, defender, currently at Machine Sazi FC. Mehdi Rostami wears shirt number 3 for Machine Sazi FC. Mehdi Rostami was born in Tehran, Iran on 1991-03-04. Mehdi Rostami is 186 cm cm tall. Mehdi Rostami's Sportra profile tracks season statistics across Azadegan League. Mehdi Rostami's page brings together career clubs, trophies, injury history, multi-competition stats, and related news headlines. On Sportra you can explore Mehdi Rostami season statistics, transfer history, trophies, injury updates, and related news across every competition tracked in the profile.

Defender · #3
| Date | Type | From | To |
|---|---|---|---|
| 2020-11-06 | Free | ||
| 2019-07-18 | Free | ||
| 2019-01-20 | Free |
Season intelligence
Profile as Defender: balanced output without a single dominant trait. Archetype: Balanced contributor.
Scaled 0–99 from season output — map to fantasy, comparisons, or scouting cards.
Per-90 rates, efficiency ratios, and Sportra indices from season totals.
Playmaking output: assists, key passes, and custom chance-creation signals.
Every tracked category for this league and season, grouped by Sportra.
Mehdi Rostami plays as a defender for Machine Sazi FC. Mehdi Rostami is a represents Iran, 31 years old, defender, currently at Machine Sazi FC. Mehdi Rostami wears shirt number 3 for Machine Sazi FC. Mehdi Rostami was born in Tehran, Iran on 1991-03-04. Mehdi Rostami is 186 cm cm tall. Mehdi Rostami's Sportra profile tracks season statistics across Azadegan League. Mehdi Rostami's page brings together career clubs, trophies, injury history, multi-competition stats, and related news headlines. On Sportra you can explore Mehdi Rostami season statistics, transfer history, trophies, injury updates, and related news across every competition tracked in the profile.

Defender · #3
| Date | Type | From | To |
|---|---|---|---|
| 2020-11-06 | Free | ||
| 2019-07-18 | Free | ||
| 2019-01-20 | Free |
Season intelligence
Profile as Defender: balanced output without a single dominant trait. Archetype: Balanced contributor.
Scaled 0–99 from season output — map to fantasy, comparisons, or scouting cards.
Per-90 rates, efficiency ratios, and Sportra indices from season totals.
Playmaking output: assists, key passes, and custom chance-creation signals.
Every tracked category for this league and season, grouped by Sportra.

A growing divide between fans and team, coupled with economic hardship and war, has dampened the moodAbbas Kiarostami, the late Iranian director, made a film called Life, and Nothing More …, set during the 1990 World Cup in Italy. The film tells the story of a father and son who, during the tournament, travel to an earthquake-stricken village that had served as the location for Kiarostami’s earlier films. The son, eager to watch Argentina play Brazil, finds a villager who, despite having lost several family members, is busy adjusting a television antenna to watch the game between the two South American football giants.Kiarostami later wrote about this scene: “This sequence is directly drawn from a similar experience during my trip to the earthquake‑stricken region in the early days after the disaster. [The man] had his left arm in a cast, was shirtless, and with his right hand was striking one stone against another at the base of the antenna to secure it. I saw that after that event, what mattered there was life – and then football.” Continue reading...
Tap a headline to view metadata and excerpt fields in Sportra, then use the article website button to continue on the original publisher page.

A growing divide between fans and team, coupled with economic hardship and war, has dampened the moodAbbas Kiarostami, the late Iranian director, made a film called Life, and Nothing More …, set during the 1990 World Cup in Italy. The film tells the story of a father and son who, during the tournament, travel to an earthquake-stricken village that had served as the location for Kiarostami’s earlier films. The son, eager to watch Argentina play Brazil, finds a villager who, despite having lost several family members, is busy adjusting a television antenna to watch the game between the two South American football giants.Kiarostami later wrote about this scene: “This sequence is directly drawn from a similar experience during my trip to the earthquake‑stricken region in the early days after the disaster. [The man] had his left arm in a cast, was shirtless, and with his right hand was striking one stone against another at the base of the antenna to secure it. I saw that after that event, what mattered there was life – and then football.” Continue reading...
Tap a headline to view metadata and excerpt fields in Sportra, then use the article website button to continue on the original publisher page.